Murdoch PR cannot climb its own paywall

This post was originally published on Morgan Holt’s Digital Content Blog. For for of his thinking, follow @MorganUK.  

How does the News International brand stay alive? It is clearly suffering, and the risks — as The Times in particular seems to have recognised — is that the weight of the News of the World could drag all the company’s assets down with it. The brand damage for the group isn’t for focused on the group, but on the sum of its parts. And the pay wall has made recovery more difficult than ever.

Brands take years to build and moments to destroy. The tarnishing happens very fast in today’s media environment because digital media has made the flow of news and personal opinion almost effortless:

  • Stories are heavily linked
  • Readers have a strong social voice
  • News is not limited by space or time, so is always looking for something new to say

All of which makes it painfully difficult for any organisation that is experiencing negative PR to respond to the situation. So it’s even more painful when a media organisation like The Times is not able to cash in its positive investments when it needs them.

Times writers like Caitlin Moran and Matthew Parris are much-loved by readers and have a healthy digital presence. They have been nurtured by their employer and are now powerful, effective (and very funny) voices in the digital space. 

Unfortunately, they are handcuffed in their ability to remind the public that The Times brand is independent of the mucky world of its sister title. 
They discuss their personal views but they cannot make that discussion a part of their employer’s own voice because they cannot link behind the paywall. I have written about how paywalls limit non-commercial benefits elsewhere.

Media companies do themselves a valuable service when they invest in talent. New journalists are promoted to leads, to section heads, to columnists and to eminent ‘voices’ of the title. They are promoted because they are loved by their audiences.

In good times these voices amplify the goodwill their audiences feel; and in bad times they reassure audiences (and potential audiences) that they are valuable.

Social is the most powerful tool any organisation has to redress negative PR, but News International has cut itself off from the conversation. The talent that it has invested in are cut off as spokespeople for the title.


(Morgan Holt) 

Image courtesy of K-Ideas

Free or Paid for?

I remember the freesheet wars a few years back when Londoners welcomed two new players to the freesheet market. It was a monopoly the Metro newspaper, London’s first freesheet, had enjoyed for far too long. What a media frenzy and what chaos outside the train and tube stations.

On Friday 18th September Londoners said goodbye to one of those new players, a News International title, the Londonpaper. I have to say out of the three it was probably my favourite. The layout, the news snippets, the trashy celeb column and the style sections rocked. But for bosses at News International, things weren’t so great. With distribution just over 500K (against the Metro’s 1.3m) the paper was reportedly losing its publishers £10million a year it was time to shut shop.

The closure of the londonpaper came at the time when News International announced their strategy to start charging for online content that has so far been available for free. From June 2010 titles such as The Times will charge users for their news, features and more.

So what do we think about the end of free content? I for one think if it’s worth it, people will pay. We’ve enjoyed over a decade of free stuff and now we’re drowning in so much free we don’t know the good from the mediocre but at least we expect the great from something we pay for and I believe publishers have understood this. I’d expect News International have thought long and hard about ways to offer high quality, super relevant and valuable content and services to readers once they start charging.

Today the Evening Standard, the capital’s only paid for newspaper, announced it will start charging zero to readers. Previously part of Associated Newspapers Group, sister to another freesheet, London Lite but now under new Russian owners it has decided to take on the freesheet market head on. So as one goes paid for, the other goes free. Interesting huh?

So what next for publishing? Is the future free or a combination of both?

(Rana Khodadoust)